Major and minor scale formulas and all twelve keys.
Seven notes, built from a pattern of whole steps (W) and half steps (H):
W — W — H — W — W — W — H
| Key | Notes |
|---|---|
| C | C D E F G A B |
| G | G A B C D E F# |
| D | D E F# G A B C# |
| A | A B C# D E F# G# |
| E | E F# G# A B C# D# |
| B | B C# D# E F# G# A# |
| F# / Gb | F# G# A# B C# D# E# |
| F | F G A Bb C D E |
| Bb | Bb C D Eb F G A |
| Eb | Eb F G Ab Bb C D |
| Ab | Ab Bb C Db Eb F G |
| Db | Db Eb F Gb Ab Bb C |
W — H — W — W — H — W — W
Or: take the major scale and lower the 3rd, 6th, and 7th.
Raises the 7th of the natural minor to create a leading tone — a strong pull toward the root.
Raises both the 6th and 7th of the natural minor, smoothing out the augmented-second gap in harmonic minor.
Each note in a scale has a numbered position:
| Degree | Name |
|---|---|
| 1 | Root (tonic) |
| 2 | Supertonic |
| 3 | Mediant |
| 4 | Subdominant |
| 5 | Dominant |
| 6 | Submediant |
| 7 | Leading tone (major) / Subtonic (natural minor) |
- The major scale is the reference point for everything — intervals, chords, modes, and all three minor scale forms are described relative to it.
- Natural minor is what people mean when they say "minor scale" without specifying.
- Every major key has a relative minor that shares its key signature, starting on the 6th degree.